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Eve ArnoldMarilyn Monroe at the Casino, Reno, 1960, 1960/printed 2026
What was it like to photograph her (Monroe)? It was like watching a print come up in the developer. The latent image was there – it needed just her time and temperature controls to bring it into being.
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Eve ArnoldMarilyn Monroe at a press conference for “The Prince and the showgirl”, New York City 1956, 1960/printed 2026
Her portraits have the air of a caught shot, while in fact being the fruit of a long experience, a period of waiting while trust is built.
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Eve ArnoldUSA. Nevada and California. "The Misfits", a film by John HUSTON. 1960 , 1960/printed 2026
If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.
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